Do We Really Want to Keep the Gate Threshold That High?
Type de ressource
Auteurs/contributeurs
- Brooks, Grace (Auteur)
- Pras, Amandine (Auteur)
- Elafros, Athena (Auteur)
- Lockett, Monica (Auteur)
Titre
Do We Really Want to Keep the Gate Threshold That High?
Résumé
Drawing upon the survey instruments of Lewis and Neville [1], Nadal [2], and Yang and
Carroll [3], we conducted an online survey that captured experiences of discrimination and
microaggressions reported by 387 recording engineers, producers, and studio assistants living
in 46 different countries. Our statistical analyses reveal highly significant and systemic gender
inequalities within the field, e.g., cisgender women experience many more sexually inappropriate comments (p < e-14, large effect size) and unwanted comments about their physical
appearance (p < e-12, large effect size) than cisgender men, and they are much more likely to
face challenges to their authority (p < e-13, large effect size) and expertise (p < e-10, large
effect size). A comparison of our results with a study about women’s experiences of microaggressions within STEM academia [3] indicates that the recording studio workplace scores 33%
worse on the silencing and marginalization of women, 33% worse on gender-related workplace
microaggressions, and 24% worse on sexual objectification. These findings call for serious
reflection on the part of the community to progress from awareness to collective action that
will unlock the control room for women and other historically and systemically marginalized
groups of studio professionals.
Publication
Journal of the Audio Engineering Society
Volume
69
Numéro
4
Pages
238-260
Date
2021
Abrév. de revue
J. Audio Eng. Soc.
Langue
en
ISSN
15494950
Catalogue de bibl.
DOI.org (Crossref)
Référence
Brooks, G., Pras, A., Elafros, A., & Lockett, M. (2021). Do We Really Want to Keep the Gate Threshold That High? Journal of the Audio Engineering Society, 69(4), 238–260. https://doi.org/10.17743/jaes.2020.0074
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