Bibliographie complète

A review of “masculine” and “feminine” attitudes towards music composition of the past fifty years highlights the contributions of Micheline Coulombe Saint-Marcoux and Marcelle Deschênes to the development of Québécois electroacoustic music. The author re-creates the historical context for the composers’ childhoods, adolescences, and periods of training in Montreal and Paris, and follows this with a discussion of how they negotiated the dominant trends of the 1970s. She then turns to the composers’ roles as pioneers: in their wish to depart from well-trodden paths, Coulombe Saint-Marcoux and Deschênes turned to new technological tools that would allow them to express a new artistic sensibility. From this perspective, they should be considered the “sherpas” of Québécois electroacoustic music.

Publisher: Les Presses de l'Université de Montréal