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  3. Are Female Clowns Politically Incorrect? A Case Study on Female Clowns’ Political Engagement at the 7th “Esse Monte de Mulher Palhaça” festival in Rio de Janeiro
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Are Female Clowns Politically Incorrect? A Case Study on Female Clowns’ Political Engagement at the 7th “Esse Monte de Mulher Palhaça” festival in Rio de Janeiro

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Type de ressource
Article de revue
Auteur/contributeur
  • Cézard, Zed (Auteur)
Titre
Are Female Clowns Politically Incorrect? A Case Study on Female Clowns’ Political Engagement at the 7th “Esse Monte de Mulher Palhaça” festival in Rio de Janeiro
Résumé
By linking the notion of politics with clown practices played out during the biennial festival «Esse Monte de Mulher Palhaça» in Rio de Janeiro (2018), dedicated specifically to female clowns, the relations between politics and feminism are raised, as well as the question of the place of clowns and women within the social system in which they act. In addition to reassessing the concept of politics through this new field of application, looking at what artistic practices convey or denounce as inequalities, allows us to identify politicized and political social elements. The private sphere, the power relations, the importance of gender, and the body and sexuality as treated in the festival’s performances raise political issues. We are lead to think of the phenomenon of Brazilian female clowns as a political space of claims, in particular feminist ones, and a resistance to dominant sexist normativity.
Publication
Cadernos de Arte e Antropologia
Volume
9
Numéro
1
Pages
29-46
Date
2020/04/01
Langue
en
DOI
10.4000/cadernosaa.2607
ISSN
2238-0361
Titre abrégé
Are Female Clowns Politically Incorrect?
URL
https://journals.openedition.org/cadernosaa/2607?lang=es
Consulté le
13/04/2023 20:01
Catalogue de bibl.
journals.openedition.org
Autorisations
All rights reserved
Référence
Cézard, Z. (2020). Are Female Clowns Politically Incorrect? A Case Study on Female Clowns’ Political Engagement at the 7th “Esse Monte de Mulher Palhaça” festival in Rio de Janeiro. Cadernos de Arte e Antropologia, 9(1), 29–46. https://doi.org/10.4000/cadernosaa.2607
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