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Over the last decade, mainstream media sources from the US and UK have shown an increased interest in topics involving transgender and non-binary populations. Yet, their portrayals of such individuals tend to reaffirm rather than challenge cisnormative ideas surrounding bodies and gender. In this article, we consider this ongoing trend within the highly body-centric, traditionally-gendered artform—classical ballet. With a transgender studies and dance studies lens, we analyze current discourse surrounding the recent move for classical ballet companies and schools to adapt casting and training curricula to better include non-binary dancers. Through these analyses we reveal ways media sensationalizes the transgender body by focusing on information regarding hormone therapy and surgeries, and with the topic of ballet in mind, how this transphobic move becomes intertwined with ballet-specific processes of reshaping the body. We claim that although these popular press pieces contribute to a greater awareness of the lived experiences of transgender and non-binary dancers, they simultaneously reiterate ongoing balletic gender tropes that mark the artform as feminine and designate particular body types and movements to specific binarized genders.

Publisher: Routledge _eprint: https://doi.org/10.1080/14680777.2022.2149599