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Democratising the popular: the case of pop music in France and Britain

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Type de ressource
Article de revue
Auteur/contributeur
  • Looseley, David L. (Auteur)
Titre
Democratising the popular: the case of pop music in France and Britain
Résumé
The article represents the second phase of a comparative project on French and British cultural policy. The project's guiding hypothesis is that conceptualisations of the popular have been a crucial driver of policy change in France and Britain, raising complex issues about the nature of cultural democracy. The second phase, including this article, takes pop music as a case study for that hypothesis. The article explores three major issues. It asks how and why, in their attempts to rethink cultural democracy for the twenty-first century, French and British policy agencies have recognised pop music as a ‘democratic' form worthy of state support. It critically examines some of the theoretical issues this has raised, comparing and contrasting the ways in which the two national policy sets have variously represented pop as having symbolic, economic and social meanings. And it argues that what has been less adequately addressed is its aesthetic meaning.
Publication
International Journal of Cultural Policy
Volume
18
Numéro
5
Pages
579-592
Date
November 1, 2012
DOI
10.1080/10286632.2012.718917
ISSN
1028-6632
Titre abrégé
Democratising the popular
URL
https://doi.org/10.1080/10286632.2012.718917
Consulté le
24/08/2021 19:18
Catalogue de bibl.
Taylor and Francis+NEJM
Extra
Publisher: Routledge _eprint: https://doi.org/10.1080/10286632.2012.718917
Référence
Looseley, D. L. (2012). Democratising the popular: the case of pop music in France and Britain. International Journal of Cultural Policy, 18(5), 579–592. https://doi.org/10.1080/10286632.2012.718917
Secteurs de la culture
  • Musique
Lien vers cette notice
https://bibliographies.uqam.ca/321action/bibliographie/CI56N2IE
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