Bibliographie complète
A Music Room of One's Own: Discursive Constructions of Girls-only Spaces for Learning Popular Music
Type de ressource
Auteur/contributeur
- Björck, Cecilia (Auteur)
Titre
A Music Room of One's Own: Discursive Constructions of Girls-only Spaces for Learning Popular Music
Résumé
<section class="abstract"><p>This article elaborates on discursive constructions of girls-only settings through the spatial metaphor of a room of one's own, as articulated in round-table discussions among staff and participants from girl-centered music programs in Sweden. The idea of a separate room refers to spaces for collective female empowerment as well as for individual knowledge acquisition and creativity. These spaces are constructed so as to provide the possibility for exploration, subjectivity, and focus, by offering (partial and temporary) escape from competition and control, from a gendered and gendering gaze, and from distraction. Girl-centered programs are also discussed as paradoxical because they function as gender-neutral when seen from the inside, but gender-specific when seen from the outside.</p></section>
Publication
Girlhood Studies
Volume
6
Numéro
2
Pages
11-29
Date
2013/12/01
Langue
en_US
ISSN
1938-8322, 1938-8209
Titre abrégé
A Music Room of One's Own
Consulté le
24/08/2021 19:15
Catalogue de bibl.
Extra
Publisher: Berghahn Journals
Section: Girlhood Studies
Référence
Björck, C. (2013). A Music Room of One’s Own: Discursive Constructions of Girls-only Spaces for Learning Popular Music. Girlhood Studies, 6(2), 11–29. https://doi.org/10.3167/ghs.2013.060203
Secteurs de la culture
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