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France, 1760. Marianne est chargée de peindre le portrait de mariage d'Héloïse, une jeune femme qui vient de quitter le couvent. Parce qu'elle est une future mariée réticente, Marianne arrive sous couvert de compagnie, observant Héloïse le jour et la peignant secrètement à la lumière du feu la nuit. Au fur et à mesure que les deux femmes tournent l'une autour de l'autre, l'intimité et l'attirance grandissent au fur et à mesure qu'elles partagent les premiers instants de liberté d'Héloïse. Le portrait d'Héloïse devient rapidement un acte de collaboration et un témoignage de leur amour.
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At the dawn of the 20th century, a multi-generational family in the Gullah community on the Sea Islands off of South Carolina – former West African slaves who adopted many of their ancestors’ Yoruba traditions – struggle to maintain their cultural heritage and folklore while contemplating a migration to the mainland, even further from their roots. The first wide release by a black female filmmaker, DAUGHTERS OF THE DUST was met with wild critical acclaim and rapturous audience response when it initially opened in 1991. Casting a long legacy, DAUGHTERS OF THE DUST still resonates today, most recently as a major in influence on Beyonce’s video album Lemonade. Winner of the Cinematography Award and nominated for the Grand Jury Prize in the Dramatic competition at the Sundance Film Festival. Chosen for preservation by the National Film Preservation Board, USA