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En se concentrant sur l’aspect « orientation » de l’« orientation sexuelle », Sara Ahmed examine ce que signifie pour les corps le fait d’être situés dans l’espace et le temps. Les corps prennent forme lorsqu’ils se déplacent dans le monde en se dirigeant vers ou loin des objets et des autres. Être « orienté » signifie se sentir chez soi, savoir où l’on se trouve, ou avoir certains objets à portée de main. Les orientations affectent ce qui est proche du corps ou ce qui peut être atteint. Selon Sara Ahmed, une phénoménologie queer révèle comment les relations sociales sont organisées dans l’espace, comment la queeresse perturbe et réordonne ces relations en ne suivant pas les chemins acceptés, et comment une politique de désorientation met à portée de main d’autres objets, ceux qui pourraient, à première vue, sembler dérangeants. Dans cet ouvrage fondateur de la réflexion sur le genre écrit en 2006, Sara Ahmed propose qu’une phénoménologie queer puisse étudier non seulement comment le concept d’orientation est informé par la phénoménologie, mais aussi l’orientation de la phénoménologie elle-même. En développant un modèle queer d’orientation, elle combine des lectures de textes phénoménologiques – de Husserl, Heidegger, Merleau-Ponty et Fanon – avec des idées tirées des études queer, de la théorie féministe, de la théorie critique des races, du marxisme et de la psychanalyse.

"The Routledge Companion to Feminist Philosophy is an outstanding guide and reference source to the key topics, subjects, thinkers, and debates in feminist philosophy. Fifty-six chapters, written by an international team of contributors specifically for the Companion, are organized into five sections: (1) Engaging the Past; (2) Mind, Body, and World; (3) Knowledge, Language, and Science; (4) Intersections; (5) Ethics, Politics, and Aesthetics. The volume provides a mutually enriching representation of the several philosophical traditions that contribute to feminist philosophy. It also foregrounds issues of global concern and scope; shows how feminist theory meshes with rich theoretical approaches that start from transgender identities, race and ethnicity, sexuality, disabilities, and other axes of identity and oppression; and highlights the interdisciplinarity of feminist philosophy and the ways that it both critiques and contributes to the whole range of subfields within philosophy."--The publisher.

Research on violence against women tends to focus on topics such as sexual assault and intimate partner violence, arguably to the detriment of investigating men’s violence and intrusion in women’s everyday lives. The reality and possibility of the routine intrusions women experience from men in public space – from unwanted comments, to flashing, following and frottage – are frequently unaddressed in research, as well as in theoretical and policy-based responses to violence against women. Often at their height during women’s adolescence, such practices are commonly dismissed as trivial, relatively harmless expressions of free speech too subjective to be legislated against. Based on original empirical research, this book is the first of its kind to conduct a feminist phenomenological analysis of the experience for women of men’s stranger intrusions in public spaces. It suggests that intrusion from unknown men is a fundamental factor in how women understand and enact their embodied selfhood. This book is essential reading for academics and students involved in the study of violence against women, feminist philosophy, applied sociology, feminist criminology and gender studies.

At no point in recorded history has there been an absence of intense, and heated, discussion about the subject of how to conduct relations between women and men. This Handbook provides a comprehensive guide to these omnipresent issues and debates, mapping the present and future of thinking about feminist theory. The chapters gathered here present the state of the art in scholarship in the field, covering: Epistemology and marginality; Literary, visual and cultural representations; Sexuality; Macro and microeconomics of gender; Conflict and peace. The most important consensus in this volume is that a central organizing tenet of feminism is its willingness to examine the ways in which gender and relations between women and men have been (and are) organized. The authors bring a shared commitment to the critical appraisal of gender relations, as well as a recognition that to think ‘theoretically’ is not to detach concerns from lived experience but to extend the possibilities of understanding. With this focus on theory and theorizing about the world in which we live, this Handbook asks us, across all disciplines and situations, to abandon our taken-for-granted assumptions about the world and interrogate both the origin and the implications of our ideas about gender relations and feminism. It is an essential reference work for advanced students and academics not only of feminist theory, but of gender and sexuality across the humanities and social sciences.

"In this groundbreaking work, Sara Ahmed demonstrates how queer studies can put phenomenology to productive use. Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry. Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions." -- Tiré du site de l'éditeur

What does it mean to conceptualize pornography as a material practice rather than as speech? Mason-Grant argues that this idea, fundamental to the work of Andrea Dworkin and Catharine MacKinnon, has been obscured in legal wrangling and political polarization over their civil ordinance. Within the arena of legal argument, where the principle of free speech holds sway for progressive thinkers, their analysis of pornography is rendered, at worse, an apology for censorship and, at best, an argument about the social force of speech, rather than recognized as a fundamental challenge to the very idea of pornography as speech. In this book, Mason-Grant first shows how the persistent 'speech paradigm' inevitably obscures the innovative core of the Dworkin-MacKinnon critique of mainstream pornography. She then develops an alternative 'practice paradigm' that critically engages their analysis, capturing and extending its core insights about the role of pornography in sexual practice. Drawing on phenomenology of the lived body, this alternative paradigm provides a way of re-thinking how the pervasive use of mass-market heterosexual pornography contributes to the cultivation of an embodied and tacit sexual know-how that is subordinating, and raises important questions about alternative materials produced and used by sexual minorities. In her conclusion, Mason-Grant considers the implications of her analysis not for law, but for a critical pedagogy in youth sexuality education.

Bartky s'appuie sur l'expérience de la vie quotidienne pour démasquer les nombreux déguisements par lesquels les intimations d'infériorité sont infligées aux femmes. Elle critique à la fois le parti pris masculin de la théorie actuelle et la domination débilitante détenue par les notions de «féminité appropriée» sur les femmes et leurs corps dans la culture patriarcale.