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merged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, the complex confluence of identities--race, class, gender, and sexuality--systemic to women of color oppression and liberation. Reissued here, forty years after its inception, this anniversary edition contains a new preface by Moraga reflecting on Bridge's living legacy and the broader community of women of color activists, writers, and artists whose enduring contributions dovetail with its radical vision. Further features help set the volume's historical context, including an extended introduction by Moraga from the 2015 edition, a statement written by Gloria Anzaldúa in 1983, and visual art produced during the same period by Betye Saar, Ana Mendieta, Yolanda López, and others, curated by their contemporary, artist Celia Herrera Rodríguez. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world.
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Il l’a appelée race cosmique, la raza cósmica, une cinquième race englobant les quatre principales races du monde. Contrairement à la théorie de l’Aryen pur, comme à la politique de pureté raciale que pratique l’Amérique blanche, sa théorie est inclusive. À la confluence d’au moins deux courants génétiques, là où les chromosomes se recombinent constamment, ce mélange de races, au lieu de produire un être inférieur, crée une descendance hybride, une espèce mutable et plus malléable, dotée d’un riche bassin génétique. De cette pollinisation croisée, raciale, idéologique, culturelle et biologique, une conscience venue d’ailleurs [alien] est en train de se former —une nouvelle conscience mestiza, una conciencia de mujer3. C’est une conscience des Frontières.