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Spanning 125 years, Art and Queer Culture is the first major historical survey to consider the ways in which the codes and cultures of homosexuality have provided a creative resource for visual artists. Attempts to trouble the conventions of gender and sexuality, to highlight the performative aspects of identity and to oppose the tyranny of the normal are all woven into the historical fabric of homosexuality and its representation. From Oscar Wilde to Ryan Trecartin, from the molly houses of eighteenth-century London to the Harlem drag balls of the 1920s, the flamboyant refusal of social and sexual norms has fuelled the creation of queer art and life throughout the modern period. Although the book proceeds in a chronological fashion, it does not propose a progressive narrative in which homosexuals become increasingly adept at negotiating the circumstances of censorship and overcoming the terms of stigma and invisibility. The dialogue between art and queer culture does not move towards ever more affirmative images of equality and dignity. Rather than countering homophobia with 'positive' images of assimilation, many of the artists and photographers featured in this book draw upon, and even draw out, the deviant force of homosexuality. Art and Queer Culture includes not only pictures made and displayed under the rubric of fine art but also those intended for private, underground or otherwise restricted audiences. Scrapbooks, amateur artworks, cartoons, bar murals, anonymous photographs, activist posters, all appear in its pages, as do paintings, sculptures, art photographs and video installations. Writing queer culture into the history of art means redrawing the boundaries of what counts as art as well as what counts as history. It means searching for cracks in the partition that separates 'high' art from 'low' culture and in the divide between public achievement and private life
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« Je ne suis pas un homme je ne suis pas une femme je ne suis pas hétérosexuel je ne suis pas homosexuel je ne suis pas bisexuel. Je suis un dissident du système genre-genre. Je suis la multiplicité du cosmos enfermée dans un régime politique et épistémologique binaire, et je crie devant vous. Je suis un uraniste confiné dans les limites du capitalisme technoscientifique." Paul B. Preciado écrit entre les possibles - et faisant ce qu'il déploie un autre possible. Il fait la politique avec un enthousiasme contagieux, sans aucune hostilité. Ce livre est l'histoire de ses transitions. Cette histoire n'est pas celle du passage d'un point à un autre, mais de l'errance et de l'entre-deux comme lieu de vie. Une transformation constante, sans identité fixe, sans activité fixe, ni adresse, ni pays : les transitions sont sa maison. Et cette maison, vous lecteur, si vous y entrez, vous ne voudrez plus jamais la quitter tout à fait, jamais oublier sa langue intermédiaire, sa langue carrefour, sa langue en transition." Virginie Despentes »