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La socialisation au féminisme par les médias est un sujet dont l’acuité se renforce depuis le hashtag MeToo. Dans ce contexte, nous montrerons comment certains médias ont pu participer à la socialisation politique au féminisme d’étudiant·es. En replaçant ces effets socialisateurs par rapport aux socialisations familiales et nationales et à l’expérience des violences sexistes, l’article met en évidence que certains médias ont pu agir comme un processus de transformation de dispositions incorporées en dispositions politique. Nous analyserons ensuite les usages politiques de médias en termes de participation et d’information : d’une part, les usages des comptes Instagram féministes ; d’autre part, les effets de la combinaison d’informations politiques généralistes par les réseaux sociaux et Internet aussi bien que la radio et la télévision. Ce dernier usage diversifié est le fait d’étudiant·es avec un capital culturel plus élevé qui se réfèrent davantage à l’histoire du mouvement féministe et de sa production théorique.

This article attempts to look into the fictional narrativization of women's significant and distinctive relationship with nature in Disney's Moana. Emphasizing the power and the unity of women and nature in Polynesian indigenous culture, Moana suggests that the destruction of nature results from exploitative and manipulative masculinity. Through ecofeminist perspectives, this essay observes that Moana offers critical views and promotes awareness of gender and environmental issues. These ideas are communicated through the visual and verbal depiction of power relations that defy patriarchal tradition alongside the expressions of protest against devaluation and abuse of nature and women. To put it in the context of the development of themes in Disney's princess line, Moana's presence can be a novel alternative to the typical images of women, namely a new portrayal of a female character whose primary concern is not romance but instead the sustainability of the environment where she lives. This study also confirms that Disney's animated princess films continuously adjust with the dynamics of global feminist discourse. © 2021 Penerbit Universiti Kebangsaan Malaysia. All rights reserved.

Qu'elles soient du Sud ou du Nord, les femmes subissent le changement climatique ou les injonctions qui en découlent. C'est à se demander si féminisme et écologie sont compatibles.

While there exists some empirical research on women’s use of pornography, the manner in which women do, and how they understand their pornographic spectatorship, remains under-examined. Focusing on the narratives of 26 women gained through both focus groups and individual interviews, this research explores how women who use pornography and other sexually explicit materials navigate, reaffirm, challenge, and contest normative gendered boundaries that surround women’s sexuality, sexual pleasure, and women’s pornographic use. While ‘pornography as female degradation’ is the most visible feminist discourse, the findings of this study suggest that the meanings attributed to both the experience of engaging with pornography, as well as with pornographic materials themselves, were far from wholly degrading, and in fact, served to provide pleasure, sexual self-actualization, and even corporeal validation – disrupting normative discourses of desiring and desirable bodies.

Trente, un nombre qui n’arrivera jamais et s’il arrive, je l’éviterai, comme j’ai une fois évité un chevreuil en conduisant sur la route, le chevreuil courait devant mon auto, à gauche il y avait la rivière et à droite il y avait le fossé, c’est beau la Montérégie, au lieu de choisir l’un ou l’autre il continuait d’avancer droit devant, puis il a fini par bondir vers le fossé. Moi j’aurais choisi l’eau et d’ailleurs, à chaque fois que j’empruntais ce chemin-là, ça me chicotait de savoir que juste un petit coup de volant pouvait m’envoyer dans la rivière, un jour on est en vie et un jour on ne l’est plus, c’est tout.

"Who is "the girl"? Look to movies, TV shows, magazines, and ads and the message is both clear and not: she is a sexed-up sidekick, a princess waiting to be saved, a morally infallible angel with no opinions of her own. She's whatever the hero needs her to be in order to become himself. She's an abstraction, an ideal, a standard, a mercurial phantom. In You Play the Girl, Chocano blends formative personal stories with insightful and emotionally powerful analysis. Moving from Bugs Bunny to Playboy Bunnies, Flashdance to Frozen, the progressive '70s through the backlash '80s, the glib '90s, and the pornified aughts--and at stops in between--she explains how growing up in the shadow of "the girl" taught her to think about herself and the world and what it means to raise a daughter in the face of these contorted reflections. In the tradition of Roxane Gay, Rebecca Solnit, and Susan Sontag, Chocano brilliantly shows that our identities are more fluid than we think, and certainly more complex than anything we see on any kind of screen."--Page 4 of cover.

HE MASK YOU LIVE IN follows boys and young men as they struggle to stay true to themselves while negotiating America’s narrow definition of masculinity. Pressured by the media, their peer group, and even the adults in their lives, our protagonists confront messages encouraging them to disconnect from their emotions, devalue authentic friendships, objectify and degrade women, and resolve conflicts through violence. These gender stereotypes interconnect with race, class, and circumstance, creating a maze of identity issues boys and young men must navigate to become “real” men. Experts in neuroscience, psychology, sociology, sports, education, and media also weigh in, offering empirical evidence of the “boy crisis” and tactics to combat it. The Mask You Live In ultimately illustrates how we, as a society, can raise a healthier generation of boys and young men.

La place et le rôle des femmes dans l'art et dans le spectacle vivant, entre 1912 et 2012, aux lisières de la performance et de la danse. A l'heure des re-enactements et autres remakes des performances historiques, il semblait important de s'interroger sur la place des femmes dans les avant-gardes des années 1910-1970. Quel regard portons-nous, aujourd'hui, sur les pionnières qui ont profondément modifié la danse et la performance, en Europe et aux Etats-Unis ? Réunis pour la première fois, des historiens, des philosophes, des danseurs et deux chorégraphes ont accepté de faire le point sur leurs recherches. Par-delà les catégories artistiques (danse, performance, action, pantomime, théâtre, music-hall...) et les clivages (théorie / pratique ; forme / fond), ce livre est une invitation à partager leurs questionnements sur le spectacle vivant « au féminin », ses archives et ses références. Femmes, attitudes performatives rassemble dix contributions, une « interview performative » de La Ribot et un entretien sur La Part du rite de Latifa Laâbissi et Isabelle Launay.

Les femmes sont beaucoup moins visibles que les hommes dans les médias d'information. Les femmes, lorsqu'elles sont interviewées, le sont principalement en qualité de mères, de simples témoins ou de victimes. Sur la scène médiatique, les rôles de l'expert, de l'intellectuel ou du professionnel reste largement préemptés par les hommes. D'où vient cette représentation biaisée des sexes ?

Like drawing back a curtain to let bright light stream in, MISS REPRESENTATION uncovers a glaring reality we live with every day but fail to see. Written and directed by Jennifer Siebel Newsom, the film exposes how mainstream media contributes to the under-representation of women in positions of power and influence in America. The film challenges the media’s limited and often disparaging portrayals of women and girls, which make it difficult for women to achieve leadership positions and for the average woman to feel powerful herself. In a society where media is the most persuasive force shaping cultural norms, the collective message that our young women and men overwhelmingly receive is that a woman’s value and power lie in her youth, beauty, and sexuality, and not in her capacity as a leader. While women have made great strides in leadership over the past few decades, the United States is still 90th in the world for women in national legislatures, women hold only 3% of clout positions in mainstream media, and 65% of women and girls have disordered eating behaviors.