Votre recherche
Résultats 55 ressources
-
Cet examen recense plus de 250 rapports, articles et documents de sources ontariennes ou canadiennes contenant des données sur les femmes dans six secteurs d’activités artistiques et culturelles : les arts visuels, la danse, le théâtre, la littérature, la musique et les arts médiatiques/sur écran. Une de ses principales constatations est qu’il n’existe pas d’études ayant […]
-
Le #moiaussi en humour a sonné l'alarme, chiffres à l'appui.
-
Research on violence against women tends to focus on topics such as sexual assault and intimate partner violence, arguably to the detriment of investigating men’s violence and intrusion in women’s everyday lives. The reality and possibility of the routine intrusions women experience from men in public space – from unwanted comments, to flashing, following and frottage – are frequently unaddressed in research, as well as in theoretical and policy-based responses to violence against women. Often at their height during women’s adolescence, such practices are commonly dismissed as trivial, relatively harmless expressions of free speech too subjective to be legislated against. Based on original empirical research, this book is the first of its kind to conduct a feminist phenomenological analysis of the experience for women of men’s stranger intrusions in public spaces. It suggests that intrusion from unknown men is a fundamental factor in how women understand and enact their embodied selfhood. This book is essential reading for academics and students involved in the study of violence against women, feminist philosophy, applied sociology, feminist criminology and gender studies.
-
Le mouvement #moiaussi a inspiré auteurs, artistes et créateurs de toutes les disciplines artistiques. Tour d'horizon.
-
For many years, the mistreatment of women in particular has essentially been normalized in many parts of the music industry. In recent years, however, there has been an increase in women coming forward and telling their stories, and asking that men be held accountable for wrongdoing. This interdisciplinary (sociology and philosophy) paper pursues two key feminist questions prompted by recent developments. Firstly: How has the construction of the history of popular music legitimated the continuation of this situation? ‘Looking back’ historically and sociologically, examples are provided of the legitimation or ignoring of violence against women (VAW) in the history of popular music to date. Secondly: How should we [archivists, historians, heritage curators and popular music educators], from now on, construct the history of popular music in a way that doesn’t legitimate VAW? Turning to ‘look forward’, applied ethics frameworks are used to explore different aspects of this second question.
-
Abstract This article investigates discussions about gender, quality and equality in Danish film and television in the 2010s. Contrary to Sweden, where gender diversity has been part of public debate and formal screen policy since the 2000s, there was little discussion of gender in the Danish screen industry until the Danish Film Institute (DFI) began focusing on diversity as a priority area before the Film Strategy for 2015–18. The article analyses how both DFI and industry players have continuously argued against gender quotas, instead opting for soft measures such as ‘gender declarations’ and initiatives to raise awareness. One of these initiatives was a manifesto, ManusFestet, that used humour to raise questions about gender representation on-screen. The article discusses how a balance between hard facts and soft measures seems to be experienced as a constructive way forward, as long as this combination does in fact facilitate the intended change.
-
This article considers the critique of inequality, exploitation and exclusion in contemporary UK music industries, in light of the latter’s growing internal concerns over work-based gender relations. The creative sector’s persistent inequalities are at odds with its professed liberal, egalitarian, meritocratic values and attitudes. Yet, within music’s industrial production cultures, a dismissive postfeminist sensibility has come under pressure through a reflexive critical moment of popular feminist discourse, expressed in trade press critique, between 2013 and the present moment. Drawing from a study of intermediary work in UK major record labels, the article takes a pragmatist approach to documenting and theorizing this critique – alongside institutional mechanisms, like company policies and corporate PR, that respond to it – in terms of growing industrial reflexivity. Tensions over the representation of work, the nature of inequality, intergenerational and epistemic injustice emerge as key themes, with implications for critical research on popular music industries.
-
Le sujet est délicat. Tellement que plusieurs personnes contactées ont refusé de se prononcer sur cette nouvelle prise de conscience qui découle des mouvements #moiaussi et #agressionnondénoncée. Les romanciers doivent-ils s’autocensurer pour respecter une nou
-
Le sujet est délicat. Tellement que plusieurs personnes contactées ont refusé de se prononcer sur cette nouvelle prise de conscience qui découle des mouvements #moiaussi et #agressionnondénoncée. Les romanciers doivent-ils s’autocensurer pour respecter une nou
-
La représentation gratuite du viol n’est pas sans effet chez les lectrices.
-
Trois spécialistes se penchent sur le sujet. Analyse.
-
Vanessa Courville a claqué la porte de la revue consacrée à la nouvelle littéraire.
-
Femmes et hommes côte à côte dans les orchestres symphonique d'ici. La question de parité est souvent lié au processus de sélection à l'aveugle des musiciens, une façon de faire qui permet de mettre de l'avant le talent, et ce, peu importe le sexe des artistes.
-
Despite the growing number of women in museums, the undervaluing of educational work traditionally associated with women, and labor largely done by women today, persists. This begs the question: in what other ways are women and femmes working in museums undermined despite their growing presence as workers and the emerging centrality of the educational role of museums? In society more broadly, we see how undervaluing women and their labor leads to a spectrum of treatment that can be considered violent. In this spectrum, we include pay and benefit disparities, disempowerment, and marginalization through sexist, homophobic, and transphobic comments and objectification, harassment, threats, verbal, physical, emotional, and financial abuse, and at the far end of the spectrum sexual assault and murder. In this article, we discuss data collected through a survey conducted about incidences of sexual abuse and harassment experienced by museum workers. We explore the results of the survey in relation to the gender-based division of labor and skills among the museum workforce. We look to the responses to this survey as a gauge of how much power women and gender non-conforming people have in their daily work lives in museums and propose actions that could increase empowerment and support.
-
Up to 43% of women under 40, who have been to a music festival, say they have faced unwanted sexual behaviour.
-
Béatrice Martin, alias Coeur de pirate, fera paraître vendredi son quatrième album, En cas de tempête, ce jardin sera fermé, un hommage à Paris qui coïncide avec ses 10 ans de carrière. Une très belle collection de textes sombres et poétiques, sur des musiques lumineuses et entraînantes, où l'auteure-compositrice-interprète évoque des épisodes douloureux de son passé.
-
«On aurait pu avoir 40 humoristes dans le spectacle», lance le coanimateur de la soirée, Patrick Groulx.
-
MBW Contributing Editor, Rhian Jones, gives her take on the news…