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Purpose The purpose of this paper is to examine women composers’ use of online communities of practice (CoP) to negotiate the traditionally masculine space of music composition while operating outside its hierarchical structures. Design/methodology/approach The authors employed a mixed methods approach consisting of an online survey (n=225) followed by 27 semi-structured in-depth interviews with female composers to explore the concept and use of CoP. Content analysis was used to analyze the survey responses and interpretative phenomenological analysis was used to interpret respondents’ lived experiences as relayed in the interviews. Findings The findings reveal that the online environment can be a supportive and safe space for female composers to connect with others and find support, feedback and mentorship, increase their visibility and develop career agency through learning and knowledge acquisition. CoP emerged as an alternative approach to career development for practicing female music workers and as a tool which could circumvent some of the enduring gendered challenges. Originality/value The findings suggest that online CoP can have a positive impact on the career development and sustainability of women in male-dominated sectors such as composition.
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English Abstract: Sexual violence within the lesbian, gay, bisexual, transgender/transsexual, intersex and queer (LGBTIQ) communities remains largely under-researched and under-theorised. Yet, emerging research suggests that sexual violence is a significant issue within the LGBTIQ communities. Additionally, the occurrence of sexual violence and unwanted sexual attention within specific social and cultural contexts is, for the most part, insufficiently examined. This article draws on research exploring young LGBTIQ adults’ perceptions and experiences of unwanted sexual attention in licensed venues. Firstly, I consider the theoretical and conceptual underpinnings of ‘unwanted sexual attention’ as a category of analysis. I then move on to consider participants’ use of licensed venues, the particular significance of pubs and clubs to LGBTIQ young people, and their perceptions and experiences of unwanted sexual attention. Finally, I discuss the implications of these findings for theoretical and conceptual understandings of unwanted sexual attention and sexual violence.