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"To bring more awareness to the revolutionary international impact of #MeToo, The Other #MeToos brings together chapters that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries. Going beyond gender, the book takes into account the intersectional assemblage of location, history, religion, ethnicity, race, class, and neoliberal aspects that inform #MeToo and its place in local and transnational feminisms. From Egypt, Lebanon, Iran, Tunisia, and Morocco to India, Pakistan, Bangladesh, Nepal, and Sri Lanka to South Africa to Latin America to South Korea, Japan, and China to Czech Republic - #MeToo has inspired local movements and hashtag trends as well as transnational and collective hashtags like #MosqueMeToo. Therefore, by making feminism mainstream, it has rendered possible international feminist solidarities unlike any other feminist movement that precedes it. It is critical to document this defining feminist moment of #MeToo and its variants to acknowledge the diversity and multidimensionality of transnational feminisms, along with looking at the various ways they have been changed by the #MeToo, internationally. To that argument, the contributions in this collection examine, analyze, and interrogate the reception, translation, and adaptation of #MeToo in their local, indigenous, minoritized, othered, and/or postcolonial contexts. Overall, The Other #MeToos highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to expand the larger discourse and praxes of the #MeToo movement beyond its Americentric focus to explore other feminist possibilities that the movement has enabled"--
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"Reexamining feminist sexual politics since the 1970s-the rivalries and the remarkable alliances"--
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How does music play a role in normalising men’s sexual violence towards women? Using mainstream rock and metal music as an illustrative case study, we offer a nuanced account of the ways in which men’s sexual violence is normalised. Using a definition of sexual violence drawn from Liz Kelly’s notion of a continuum, which reframes sexual violence as the loss of women’s ability to control sexual experiences, we explore the ways in which sexual violence is a prevalent lyrical and audio-visual component of rock and metal songs. We show that a pernicious theme of rock and metal over the last 25 years is the erosion of women’s ability to refuse sexual activity and to have voice and be heard. We argue that this erosion of women’s consent takes place through the representational use of emotional abuse, controlling/coercive behaviour, and through the objectification of women. The erasure of consent presented through these methods becomes a key means of establishing sexual control. Through manipulation, the confusion of what counts as sexual violence and how it is defined, men’s sexual violence against women is normalised.
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The gendered nature of safety has been explored empirically and theoretically as awareness has grown of the pervasive challenges to women's safety. Notions of ‘safe space’ are frequently invoked in wider feminist environments (particularly, recently, in relation to debates about trans people's access to women's spaces), but are relatively neglected in academia. Indeed, despite a body of scholarship which looks at questions of gender, safety and space, relatively little attention has been paid to exploring the meaning of ‘safety’ for women and, particularly, the meaning and experience of spaces they consider to be ‘safe.’ Drawing on focus group data with 30 women who attended a two-day, women-only feminist gathering in the UK, this paper analyses experiences of what they describe as ‘safe space’ to explore the significance and meaning of ‘safety’ in their lives. Using their accounts, we distinguish between safe from and safe to, demonstrating that once women are safe from harassment, abuse and misogyny, they feel safe to be cognitively, intellectually and emotionally expressive. We argue that this sense of being ‘safe to’ denotes fundamental aspects of civic engagement, personhood and freedom.