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Montréal, le 21 avril 2023 – Éduc’alcool et le Service de police de la Ville de Montréal (SPVM) ont lancé hier le projet pilote Touche pas à mon verre* en présence du ministre de la Sécurité publique du Québec, M. François Bonnardel. Cette initiative prend la forme d’une distribution gratuite de 10 000 protège-verres afin de, notamment, […]

Bystander intervention has shown promise in preventing sexual violence in certain social contexts. Despite emerging evidence of pervasive sexual violence at music festivals, no research has considered bystander intervention in this setting. Drawing on an online survey conducted with 371 Australian festival attendees, we explore the role of gender on bystander intervention at music festivals. Findings point to significant gender differences, with women more willing and likely to intervene in a broader range of scenarios. We argue that responses to sexual violence are a collective responsibility shared by both women and men, as well as festival organizers and industry bodies.

This article extends our understanding of how university students make sense of, and respond to, sexual violence in the night-time economy (NTE). Based on semi-structured interviews with 26 students in a city in England, we examine students’ constructions of their experiences of sexual violence within the NTE, exploring their negotiations with, and resistance to, this violence. Building upon theories of postfeminism, we interrogate the possibilities for resistance within the gendered spaces of the NTE and propose a disaggregated conceptualization of agency to understand responses to sexual violence, thereby offering useful insights for challenging sexual violence in the NTE and in universities.

Sexual violence in the music industry is known to impact negatively on women’s participation. We examine how grassroots venues and promoters can implement changes to tackle sexual violence and work towards gender equality. We draw on UK-based, impact-focused research which sought to raise awareness of sexual violence, and to facilitate anti-violence changes within organisations. We find that working across a city’s music scene and engaging with oversight organisations such as local authorities can aid in persuading venues and promoters to seek training. However, for individuals leading on changes, personal experiences of sexual violence as a victim/survivor or bystander are important factors in their decision. We conclude that men in the music industry need to become more aware of the need for change, and willing to act on that awareness; and that more women need to own, manage, and run venues and events.

Non-consensual sexual contact in bars is common, but few studies have focused on the extent of this problem at electronic dance music (EDM) parties, which are growing in popularity. We aimed to estimate prevalence and correlates of non-consensual sexual contact among individuals who attend EDM parties in New York City (NYC). Adults (ages 18–40 years) entering EDM parties in NYC were surveyed in 2018 using time–space sampling. Participants (n = 1005) were asked whether they had experienced unwanted or uninvited sexual contact including unwanted groping, kissing, or touching at an EDM party. We estimate that 15.2% of EDM party attendees in NYC have experienced non-consensual sexual contact at such parties. The majority (62.5%) of those reported that it occurred 1–2 times and 49.1% were usually or always drunk or high during the encounter(s). Almost all women experiencing non-consensual contact (99.5%) were all or mostly touched by men; 38.6% of men were all or mostly touched by other men. Women were at more than twice the odds of reporting non-consensual sexual contact than men (aOR = 2.38, p < .05) with 21.8% of women reporting experiencing non-consensual sexual contact compared to 11.0% of men. Among women, those ages 18–24 were at over twice the odds (aOR = 2.75, p < .05) of experiencing non-consensual sexual contact than those ages 25–40. EDM party environments can increase susceptibility to non-consensual sexual contact. Prevention needs to be geared toward those at risk, and education is needed for those likely to commit non-consensual sexual contact.

Preventing and responding to sexual violence in nightlife settings is increasingly of global concern. The goal of this article was to identify and summarise academic studies on nightlife-related sexual violence. Specifically, to explore the nature, extent and consequences of, or associations with nightlife-related sexual violence, and interventions to prevent and respond. Of the 61 studies identified, 29 explored or reported on the nature of nightlife-related sexual violence, 22 provided information on extent, 38 on associations, and 19 on prevention and response. The majority of studies had been implemented in the past ten years (2009–2018) and in high-income countries. The review illustrates that nightlife-related sexual violence is pervasive, with lifetime prevalence reaching over 50% amongst numerous study samples. Studies suggest that a combination of factors at an individual, relationship, and community/environmental level is associated with nightlife-related sexual violence. No studies directly explored consequences, and few studies evaluated prevention and response approaches. Globally, further research is required to understand nightlife-related sexual violence, and inform the development of prevention programmes across all but particularly low and middle-income countries. Critically, interventions aimed at preventing and responding to nightlife-related sexual violence require thorough evaluation, with findings disseminated in both lay and academic literature.

Almost nothing is known about ?unwanted sexual attention? and women?s navigation of it when in bars and nightclubs. Using focus group discussions, this article addresses that gap. It develops knowledge of the behaviors that constitute unwanted, the safety strategies used to manage them, and examines how these practices underpin gender performance in night-time spaces: environments renowned for the dilemmas they pose to women. We then use these data to develop the concept ?feisty femininity? to highlight a neglected form of femininity that overtly resists unwanted encounters. This femininity can arguably play a role in efforts aimed at ending gendered violence.

Despite the well-documented under-reporting of sexual violence, to date, no research has considered reporting practices within the specific context of music festivals. Drawing on 16 in-depth interviews with victim-survivors, this article examines survivors’ experiences of (non)reporting sexual violence in festival settings. We argue that while some barriers to reporting are shared across contexts, others play out in context-specific ways. Our research argues that the liberal, often transgressive culture of music festivals, combined with site-specific policing practices and spatial context, creates unique impediments to reporting with particular implications in responding to, and aiming to prevent, sexual violence at music festivals.

Recent media reporting has highlighted that incidents of sexual violence frequently occur at live music events. Sexual violence has significant impacts on the health of those who experience it, yet little is known of how it impacts on everyday engagements with music, nor what measures venues and promoters might take to prevent and respond to incidents. Through interviews with concert goers, venue managers, promoters and campaigning groups, we investigated experiences of sexual violence at indie, rock, punk and funk gigs in small venues in one English city. We show that sexual violence at live music events significantly impacts on (predominantly) women’s musical participation. We argue that venues and promoters must work proactively to create musical communities that act as a defence against the normalisation of sexual violence, taking inspiration from safer space policies.

There has been a global surge in music festivals over the last decade, especially in Europe. In the UK, it is estimated that more than 3.5 million people attended the 230 music festivals in 2015 (Time Out, 2015; UK Festival Awards, 2016). Despite a body of research indicating higher levels of crime, particularly acquisitive and violent crime in spaces with similar characteristics (e.g. nightclubs, pubs and gigs), there have been no previous studies examining the occurrence or nature of crime at music festivals. This chapter brings together conceptual developments across the social sciences to shed light on the underexplored subject of gender and safety at music festivals, a leisure location of growing interest to social scientists and of significant growth within the events industry. This chapter presents data from the first UK study to explore safety and crime at music festivals and raises questions regarding the distinctive features of commercialised music festivals, the extent to which they can be considered transgressive or countercultural spaces and what might be the distinctions, if any, of gendered sexual violence within such spaces.